Jackson Pollock by Miltos Manetas, original design by Stamen, press any key to start This is a new classic. Great! Click on image to begin.
found by Chet Heath
Jackson Pollock by Miltos Manetas, original design by Stamen, press any key to start This is a new classic. Great! Click on image to begin.
found by Chet Heath
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AWESOME! The best find, John, in a long while. Nice!
Wow! It’s like we need not a shred of talent to be exactly like Jackson Pollock!
I was an art major and even I can tell this guy was a non-artist built up by cynical art critics in the 20th century that rejected the work of the Masters and touted crap like Pollock or Matisse.
But then again, if you like Pollock, don’t let someone like me, or anyone else for that matter, tell you you’re wrong. “Eye of the beholder”, and all that.
I know what Art I like and that aint it. When it comes to art I am a Randian. That is, “Art is a selective re-creation of reality according to an artist’s metaphysical value-judgments.” The purpose of art is to concretize the artist’s fundamental view of existence.”
I wonder if they could put this same technique to film. I mean, if critics think this is “art”, wouldn’t they appreciate a film along the same lines as a Pollock?
I’m talking about no form what-so-ever, just splashes of color and squiggles, along with a soundtrack that’s not music or anything recognizable at all, but just a random noise equivalent of the splotches of paint? For 2 hours? Yes?
I suppose the pseudo-intellectuals that adopt a lifestyle to make people think they’re intellectuals (you know, hanging out in coffee shops, saying how everyone misunderstands you, how you hate everything, wear sunglasses all the time, smoke cigarettes constantly(holding it underhand like some European) and scan the NYTimes art section so you can seem relevant…yes, I actually know people like this) would like it.
Without getting too deep into the art theory bullshit abyss, the Abstract Expressionist’s whole point wasn’t representational art. Their rule of “almost anything goes”, didn’t come about by accident, it was an acknowledgement that artist like Caravaggio, Rembrandt and VerMeer had scaled that peak and it was time to find another mountain. Most of the Impressionist, Abstract Expressionist and some members schools to follow, (except twiggist and performance artists, they just suck) could produce traditional art, they just chose to try to do something new. Just like other early explorers, some sailed into hurricanes and were lost to history and others end up having a hand held GPS named after them. When Pollock wasn’t on a binge or busy wrapping his car around utility poles he did some works in a style that was original, unique and easily recognized as being in his own. When so much else has already been done, doing what Pollock did, is a good deal harder than just splattering paint. A piece of toy software (like the one linked), even if it is doodleware, that makes something reminiscent of your work, is good evidence you did something of significance. Or maybe this is just an Etch-A-Sketch flashback enabler for nerds.
Pollocks work was analyzed and determined to follow exact mathematical/fractal patterns, which is pretty neat.
Improbus:
Congradulations! The Romantic Manifesto is the one book I never read (and refuse to read). While I appreciate romanticism, it’s one form of many; I prefer dada, personally. Myself, I appreciate that abstract art is simply very difficult to understand; hairsplitting about whether or not this is anything like Pollack’s technique (given that one can only switch colors by clicking, it seems it should be obvious that it is not) misses the point (as did Ayn) — this is pure whimsey.
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Max, I have a hard time believing that there is anything to understand about abstract art. The purpose of Art is to make you feel something. All abstract Art just does is make me confused and disgusted. You shouldn’t have to ‘study’ Art to appreciate it.
Improbus:
You’ll regret having said that, one day. 😉 As a simple example, though, you’re basically putting Dean Koontz on par with Leo Tolstoy, Usher with Bach. There’s plenty of crap out there, but, to paraphrase Harlan Ellison, what’s remarkable is that there’s so much good art. Any measure of either that stems from a gut reaction has to be either reasonably well informed or extremely lucky, or it risks the possibility of being merely ignorant.
Adults painting like children, that’s all I have to say.
The genius of Pollock is often missed (or dismissed) by people not placing it in context.
However I also like the visual as well, I can appreciate why some people don’t however.
Angel’s comment however shows a complete lack of understanding.
11, Then tell us, what is there to understand about Pollack’s “art”.
Look, I have a ton of art my seven yr old did a few years back during her formative stage. Much of it is very remarkable for it’s depth and choice of colors. Some of it is very stunning in its complexity yet so simple you would of thought a child did it. There is harmony between the inner self and the 64 colors of Crayola. I’m sure that some whiz kid could demonstrate a mathematical / fractal analysis. Yet, I know what drove my kid to make this art, and it wasn’t divine inner sight.
I like Pollack’s work and most people who appreciate art also do. As a movement gesturism has become part of many artistic styles. He popularized it and those works still epitomize the concept. What is sad is that he often used cheap housepaint and many of his works have deteriorated. Peoplr don’t have to like abstract art. But the good pieces are enjoyable to look at as afar as I’m concerned. And yes kids do cool art too! So? That’s bad?
Anything is better than Thomas Kincaid, that’s what you should be bitching about.
Well great John…”most people who appreciate art also do”. Well, I appreciate art and was an art major and I think it’s just crap.
Everyone falls in line with the 20th century critics that hail this kind of stuff. How many times have we heard “I used to hate Pollock or Picasso until I learned about it and it was explained to me, so now I like it”. What ever happened to the gut reaction of something? Why does art have to be “explained” in any way? Why can’t it stand on it’s own?
http://www.artrenewal.org
That site is a little militant when it comes to it’s philosophy, but their underlying message rings true.
And yes John, I would actually take a Pollock over a Kincaid any day.
#13, i have to concur. Pollocks cannot truly be appreciated by viewing a print in a book or on the web. His paintings were H U G E. You get immersed into it when you stand close and in the center. If you are lucky enough to be in a city that has one of these magnificent paintings on view you will know what I mean. Another is Van Goghs paintings that are unbelievably remarkable up close, especially the ones on view in Amsterdam (? I think that is where I saw them– Europe anyhow). Up close you see the three dimensional aspect of the paint on canvas and the extraordinary colors.
If you want to retch or marvel, try looking at some film shorts called “The Cremaster.”