Dai Sato rarely wears suits, but he was wearing a good one, a black salaryman special with a nice white shirt. On him, though, the get-up looked slept-in, dusty and too tight – perfect, in other words, for the occasion: the Tokyo International Anime Fair, the sublimely dorky annual convention for Japanese animation.

As the crown prince of anime screenwriting, Sato, at 36, is a consummate creator of the characters, busty schoolgirls and shaggy-haired heroes, that inspire Asian teenagers to devote their irreplaceable youth to the worship of cartoons.

The vast halls of Tokyo Big Sight – the Death Star-sized convention center that housed the fair, with its sprawling trade show, closed-door industry symposiums and awards ceremony – were decked with images of exuberant, candy-colored anime figures. As they gazed down on the hundred thousand or so fans who ambled among the booths, their googly baby eyes (the centerpiece of the anime aesthetic), seemed to monitor the proceedings.

Under this scrutiny, Sato worked up a peculiar merriment Saturday, hopping around in a boxer’s victory pose and chanting, “Hai, hai, hai.” Yes, yes, yes – as if in assent to all that this trippy universe has offered him so far: money, girls, fans, fun, artistic credibility, international acclaim, superb pot and a working relationship with Radiohead. What more could a guy want?

“My anime has grown up with me,” Sato said. In the past, when he wrote for younger characters, he entertained himself with references for an older generation: The hero of “Eureka seveN,” for example, is Renton, named for a character in “Trainspotting”; his father, Adrock, is named for the Beastie Boy; and a helpful duo named Jobs and Woz are named for Steve Jobs and Stephen Wozniak of Apple.

All of this Sato is willing to explain, and patiently, but he does so somewhat by rote. It is plainly no great pleasure anatomizing anime for people outside otaku culture; the plots and characters sound stupid when you spell them out, and it is much more comfortable for fanboys to be around people who just get it.

Rock on!



  1. Alsatia says:

    I happened to see the [adult swim] premiere of Eureka SeveN which was on last night at midnight. I have to say it was a bit too cheezy even for my Doctor Who loving blood, and that’s saying something! 🙂 It was way too melodramatic, but I get the feeling it was supposed to be that way to be funny. Also, I missed all the references that were there for my age group, so I feel a bit dense now. If you want to check it out, take a look at the Cartoon Network on Saturdays at midnight EDT. How odd is it that what I saw last night on TV would show up on the Dvorak blog today? Anyway, you may now return to our regularly scheduled blog already in progress…

  2. Chris Swett says:

    Must have been a real pain having a large show at Big Sight this past weekend. The people mover that runs out to Big Sight, called the Yurikamome, blew a tire on Friday (it’s a cross between a train, bus and monorail) and the entire system was down all weekend as the investigation was done. Must have made the weekend for every cab driver in Tokyo with Yurikamome being out of service. Probably cost around $30 to get a cab from Shimbashi Station to Tokyo Big Sight.

  3. BB says:

    D’OH!

    i really love eureka7 and i listen to the twit-cast, which i love also (you rock bigtime!)
    but the jobs/woz thing never occured to me. just too far apart somehow.

    i so love this culture, although (as we just saw)i do not really get it yet.
    as the german yoda-kun said: “noch viel zu lernen du hast, junger otaku!”

  4. T.C. Moore says:

    These Ergo Proxy screen shots look cool.
    How long will it take to reach the US?

    I just hope that’s a girl with the blue eyeliner.


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