Reactable: Interesting project for a musical Instrument developed in Spain.

The reactable is a multi-user electro-acoustic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical artefacts on the table surface and constructing different audio topologies in a kind of tangible modular synthesizer or graspable flow-controlled programming language.

At their website you will be able to find more information about this cool technology.




  1. BillBC says:

    It’s an updated Theremin…..

  2. Raff says:

    Yeah .. reminds me of an updated chaos pad.. same principle anyway.. still pretty cool though..

  3. lou says:

    Not impressed at all. Seems an awful lot of it is “preprogrammed”, and thus not all that much more advanced that all the other music generation programs out there.

    Since it is more of a computer interface rather than an instrument, I don’t see what the advantage there is over manipulating the same ‘items’ on a flat screen with a mouse/keyboard/joystick/touchpad (whatever). To put it another way, if you come up with another user interface, it is up to you to prove it is better than current ones, and I just don’t see it in that video.

  4. Matthew says:

    Interesting design inside….

  5. evan says:

    true. but combined with digital projector technology it could make live dance gigs a lot more interesting.

  6. Slappy says:

    In the words of Homer J. Simpson….Borrrrring.

  7. BenD says:

    0_0

    I want one!

  8. moss says:

    Edgar Varese would have killed to have something like that available for his compositions.

  9. John Paradox says:

    A lot more interesting than the old MOOG patchbay synthesizers…

    And, don’t most of the sample sound a LOT like the “electronic tonalities” (music) from Forbidden Planet?

    J/P=?

  10. UnGeekUnEmo says:

    WTF is it with Europeans and techno crap?

    This is vaguely as interesting as Amerikano rap, which could suck the chrome off a tailpipe.

    I could make the same effects slapping my meat against my Oxygen keyboard.

    However, it is a neat experiment, like Communism. Looks interesting in theory, doesn’t work in practice.

    OTOH, just think of what preschoolers might not be able to do with it.

  11. Plissken says:

    NEATO!!

  12. Lauren the Ghoti says:

    I agree, it’s pretty much just another UI – sometimes, people’ll get so caught up in the cool-factor of the tech that they lose sight of the fact that they’ve just reinvented the wheel.

    But the fer-real buzzkiller is that multiuser musical instruments have never been much use, nor will they ever be – until humans develop hive minds, that is… Maybe if, say, a bunch of Moonies tried playing it?

    #9 – John Paradox

    “…don’t most of the sample sound a LOT like the “electronic tonalities” (music) from Forbidden Planet?”

    I would direct your attention to the bottom-line analysis BillBC offers in comment #1… 🙂

  13. Scott Gant says:

    Not a theremin, more like a mini-Moog updated with a different UI.

    It’s an intriguing test…but just remember, it IS a test so far. They’re still working on this thing and so far it looks good. But when it’s all said and done, how is this any better at producing tone than the 40 year old Moog? Though, it looks like a nice teaching aid to show someone how analog synthesis works (albeit a digital interpretation of analog). Shows how a oscillator works in conjunction with a sine wave etc etc.

    And what’s with everyone crapping all over something new? Some of you sound like downright ludites half the time. Perhaps we shouldn’t try to “reinvent the wheel”….of course we’d probably have stone wheels on all our cars if someone hadn’t gone out on a limb to reinvent those.

  14. Lauren the Ghoti says:

    #13 – Scott Gant

    “And what’s with everyone crapping all over something new? Some of you sound like downright ludites half the time. Perhaps we shouldn’t try to “reinvent the wheel”….of course we’d probably have stone wheels on all our cars if someone hadn’t gone out on a limb to reinvent those.”

    Test or no, you seem to have missed the point, at least my point… Musical instruments are single-user devices, intended to output an individual’s musical expression, under that user’s sole guidance and control. Musical collaboration entails multiple players with their own instruments. As I noted, we don’t have hive minds.

    A multiuser musical instrument is about as useful as a paintbrush with multiple handles or a typewriter with multiple keyboards; something intended for individual use, with a collaborative interface tacked on. What’s the point? Cars don’t have two sets of controls. Cameras don’t have two viewfinders and shutter releases. Even on tandem bicycles, the second person does nothing to contribute to guidance, they’re along for the ride.

    Are you an inventor? No? Well, I am. (and just as relevantly, I’m also a musician) And I’m here to tell you, nobody here’s “crapping on something new.” No Luddites involved. It’s called ‘discrimination,’ aka common sense.

    It’s new? OK, that’s nice. But there’s an even more important criterion, called ‘utility.’ “Oh, gee, I see you’ve put a video camera inside a toaster and a little LCD on the outside so you can see when the toast is done. Since no one ever did this before, it might be a good idea.” Aaah, sorry, but no. It isn’t. It might be clever, but so what? What good is it? That overrides everything (unless you’re a conceptual artist…)

    Novelty, by itself, is not and has never been reason enough to override an invention’s flaws – and the biggest flaw any invention can exhibit is that it fails to address a need. IOW, if it’s useless, it’s useless.

    This item’s an intriguing experiment and it might very well inspire something useful and novel. But that’s about it. They can keep working on it all they like, and more power to them. But people still don’t play collaborative instruments. And anyone with a couple hundred bucks can synthesize any – any possible waveform, so I ask you – what good is it?

    Your point about stone wheels is bogus. We have improved the wheel and adapted it to many uses – but that is not “reinventing” it. You seem to miss the ironic point of that phrase – the wheel is perfect; it is not possible to “reinvent” it. A circle cannot be made “more circular.” So when someone is said to have “reinvented the wheel,” it’s a droll way of saying that they’ve invented nothing, just rehashed something long ago perfected.

  15. Danijel says:

    A multiuser musical instrument is about as useful as a paintbrush with multiple handles or a typewriter with multiple keyboards; something intended for individual use, with a collaborative interface tacked on. What’s the point?

    You are soo wrong! You totally miss the point of this invention! It’s not like a multiuser paintbrush but a multiuser canvas. And music is not and individual thing but a collaborative process where people can jam together to achieve more than all the individuals can separately. It’s pretty obvious you never played in a band.

    And with statements like “Are you an inventor? No? Well, I am.” it is also obvious you are a pretty egoistic person, too…

    I can’t say I like the music these guys are making, but I do like the gadget. It looks like a neat instrument, especially for design…

  16. Steve says:

    “A multiuser musical instrument is about as useful as a paintbrush with multiple handles or a typewriter with multiple keyboards; something intended for individual use, with a collaborative interface tacked on. What’s the point?”

    Two players on two instruments or two players manipulating sound through the same interface… It seems like it would create a more intimate platform for musical collaboration. Think jazz.

    I think it has some amazing possibilities.

  17. Gimpy says:

    “This item’s an intriguing experiment and it might very well inspire something useful and novel. But that’s about it. They can keep working on it all they like, and more power to them. But people still don’t play collaborative instruments. And anyone with a couple hundred bucks can synthesize any – any possible waveform, so I ask you – what good is it?”

    Hmmm, sounds similar to someone saying that “There is no reason anyone would want a computer in their home.”, or that “Aircraft are interesting toys, but of no military value.” or that # “Television won’t be able to hold onto any market it captures after the first six mmonths. People will soon get tired of staring at a plywood box every night.”

    People change, as does what they do, to assert that something is not going to happen simply because the first iterations were not very practical, is setting yourself up for future mockery.

  18. BertDawg says:

    It’s the visuals. Just as some people will and have spent HOURS screwing around with LINE RIDER, so some people will spend much time with this, simply because, to them, it’s fascinating. To me, this gizmo, much like television, is simply another way of sucking your thumb.

  19. David Perry says:

    This would make a great EXPLORATORIUM toy/exhibit, or maybe something in the EMP in Seattle. The iconography and interconnection is very interesting, but it is basically a free connection analog modular. The wire connections of a good Moog 15, Serge or Arp 2500 (or their modern equivalents whether hard or soft) are still the most popular synthesis model ever developed. There is a good reason.

    The problem with this (as with the Serge, Buchla, theremi and other nonstandard pitched instruments) is that they are not facile with standard western music. Hence the predominance of the clave (piano keyboard) as a standard input device. You know every wierdo musical instrument ever invented is cherished and protected somewhere. In a recent trip to the Brussells Old English Musical Instrument Museum (if you are in Brussels, check this out –they have something like six centuries worth of instruments in there) they have even preserved the oddball musical instruments of the 1920’s–the Ondioline and the Martenot.

    Musical progression is ALL about technology, from Pythagoras to Prince.

    More Stockhausen than Varese, actually.

  20. Lauren the Ghoti says:

    #16 – Danijel

    “You are soo wrong! You totally miss the point of this invention! It’s not like a multiuser paintbrush but a multiuser canvas.”

    I’m not certain you grok. More than one user is providing input simultaneously. And each user’s input affects the others. If it were, as you say, more like a canvas, each user’s input would be completely independent of others’. Any number of people can paint or draw on one piece of canvas without their input interacting with anyone else’s. Your analogy is poor. This thing combines inputs, making it a mixer of sorts.

    “And music is not and individual thing but a collaborative process where people can jam together to achieve more than all the individuals can separately. It’s pretty obvious you never played in a band.”

    Yeah, pretty obvious, like since I was 10. I might have some vague idea of what music is, thanks for the lesson.

    Obviously, to borrow your word, you didn’t read what I said. “Musical collaboration entails multiple players with their own instruments.” When was the last time you saw two drummers seated at the same set? Or two people playing the same guitar?

    “And with statements like “Are you an inventor? No? Well, I am.” it is also obvious you are a pretty egoistic person, too…”

    Nope. Just an assertion of fact. I invent things. And it was necessary to point this out to Scott G when he talks about ‘crapping all over something new,” in order to make clear that as a person who tries to devise new things, I would hardly criticize something simply because it’s new. The idea is silly – I was pointing out that I, at least, would be among the very last people to do such a thing.

    “I think my battery’s dead.” “No, it’s the starter. I’m an auto mechanic.” “Wow, that’s pretty egotistic!” Puh-leez.

    “I can’t say I like the music these guys are making, but I do like the gadget. It looks like a neat instrument, especially for design…”

    So you say you don’t care for what it actually does, but it’s cool, right? I agree – Tres cool. Just not very useful.

    #17 – Steve

    “Two players on two instruments or two players manipulating sound through the same interface… It seems like it would create a more intimate platform for musical collaboration. Think jazz.”

    Ya, it’s something that some experimental musicians will love, no doubt. But experimental music is light years from the musical mainstream and very much an acquired taste. So while I agree with you, I would still say it’s of interest only to artists in a very narrow musical niche. People have been inventing collaborative instruments almost since there’s been music – but then, as now, and for the foreseeable future, artists virtually always prefer to express themselves, without input from others. Playing an instrument, like most other forms of artistic creation, remains a very personal act.

    #18 – Gimpy

    “Hmmm, sounds similar to someone saying that “There is no reason anyone would want a computer in their home.”, or that “Aircraft are interesting toys, but of no military value.” or that # “Television won’t be able to hold onto any market it captures after the first six mmonths. People will soon get tired of staring at a plywood box every night.”

    No, not really.

    “People change, as does what they do, to assert that something is not going to happen simply because the first iterations were not very practical, is setting yourself up for future mockery.”

    It would be far more accurate to say “individuals change.” But the basic, hardwired mind function that goes into artistic expression does not change – at least not since the beginning of recorded history. Creativity remains, and will remain (at least until we develop the hive minds I mentioned) an expression of the individual. Check back in a few millennia, and we’ll see what, if anything, has changed.

    Being very much a futurist, I have to chuckle at your admonition there. At the risk of being call “egoistic” again by Danijel, I’ll just say I spend more time and thought on the future and its possibilities than anyone I’ve known, and looking back at my track record, I like to think I’ve gotten a pretty good handle on what changes and what doesn’t. I suspect humans will remain human for a while yet. 🙂

    #19 – BertDawg

    “It’s the visuals. Just as some people will and have spent HOURS screwing around with LINE RIDER, so some people will spend much time with this, simply because, to them, it’s fascinating. To me, this gizmo, much like television, is simply another way of sucking your thumb.”

    Once again, Bert, you’ve bypassed the hoopla and cut to the chase.

    It’s that ‘Gee-Whiz’ factor. As a UI, there’s definitely something there definitely worth exploring, and I’m gonna think a bit on it myself…

    But as a creative musical instrument, I’ve no doubt a handful of devotees will spring up and create a tiny cult, as with the Theremin – but for everyone else, sooner or later, it’ll wind up in the back of the closet with many of the other “revolutionary” inventions that fail to take human nature into account.

  21. Gimpy says:

    “I’m not certain you grok. More than one user is providing input simultaneously. And each user’s input affects the others. If it were, as you say, more like a canvas, each user’s input would be completely independent of others’. Any number of people can paint or draw on one piece of canvas without their input interacting with anyone else’s. Your analogy is poor. This thing combines inputs, making it a mixer of sorts.”

    You supported his analogy better with your own words than he did with his. Many people working on the same canvas, do not stand entirely independent of each other, they work on individual components which form a whole out of their combined efforts, much like this device. Everyone holding the same brush creates a single line of output. Now you’re entitled to think of music as the product of a single output, but I think that’s a naive view, especially for someone with so much self-purported musical experience.

    Now if five people all had their hands on a single element of the device, I think your analogy would make a bit more sense. Its really more of a multi-paintbrush, single-canvas situation, where a lot of paintbrush sharing may or may not go on, but I think the auditory-to-visual analogies has some flaws from the beginning anyway.

    and if you don’t want to come of as having an overblown sense of self, it would help if you would make connections to your experience where relevant instead of simply stating them to add weight to your argument. You do so in such a way that makes me think even you realize your argument needs a little extra backing to carry some weight.

    “I think my battery’s dead.” “No, it’s the starter. I’m an auto mechanic.” “Wow, that’s pretty egotistic!” Puh-leez.

    I actually would say that’s egotistical. Why? Because it isn’t necessary, especially to state that in such a manner as that. A simple “I’ve seen this before and what usually happens is that the starter… ” or “Well, I think its the starter because… *insert evidence here*”. I would hope that as someone with some depth in the field that you could explain it instead of just doing a lot of self-righteous “step-aside” hand-waving and pretending that the entire nature of the beast is intuitive rather than logical.

    Frankly, I’m don’t think the device is going to catch on either, but hardly for the same reasons as you.

  22. run dogg says:

    very interesting – thanks for the info.

  23. Diego says:

    WoW this is sooo nice … where can i get one of those?? 😀

    WoW esta rebien … donde puedo obtener uno de esos?? 😀


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